Multi-camera sitcoms are shot on a soundstage with a studio audience and because they have a laugh track, the editorial style is much like stand-up comedy in the sense that the show is cut fat with room for the laughter to play out and time for the characters to take the laughter in. The Upshaws: Part 3 | Official Trailer | Netflix youtu.beĬoming from a background of editing stand-up comedy made my transition to cutting The Upshaws a fluid one. This came with a lot of pressure and growth but also led to my first three Primetime Emmy nominations in 2023: two for The Upshaws and one for History of the World Part II. It was my first multi-camera sitcom and I was the only editor on the second season of a hit show (except Episode 5, where I share a credit with the talented Russell Griffin). This was a pivotal moment in my career for multiple reasons. If you're using ARRIRAW in Rec709 color space as a source, the media will now be fully color managed. To find the new color management settings for ARRIRAW, all you have to do is navigate to the Interpret Footage > Color pathway, and, in the Color Settings panel, you can now automatically detect Log C Media Color Space to override the color space or apply an Input LUT.You can also read about the new workflow features here on Adobe’s site. Also, ARRIRAW will now be able to playback in real-time and should look as incredible as you would expect, so that editors and cinematographers can get back to editing and grading. This new version 23.6 should make the ARRIRAW workflow experience more easy-to-use and flexible than ever before as it improves format support and GPU acceleration. Since adding ARRIRAW support just about a year ago, Adobe has been working behind the scenes to improve the workflow and experience for those looking to work with ARRI’s famous format. The crux of this new update centers around this new optimized workflow with ARRIRAW.
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